But she was great at once. 1 … Some people may find her a bit irritating! HVK: Were there some ‘real-life’ characters that you wanted to improvise with you, but they refused? Comme elle, les habitants de cité Mauvillac, Grande-Rivière-Nord-Ouest, sont sous le choc. HVK: The scenes at Cherbourg, with Rosette, show a special ‘female solidarity’ – there is a strong connection between the two of you. MR: We have a mixture between the perception that people who are close to Delphine in the film and the perception of the audience. Elle a longtemps tourné pour celui qui fut l’un des pères de la Nouvelle Vague ; lui signe des films aux faux-airs rohmériens. But there is ‘music’ in the script, which was difficult for me to express. www.fannymazoyer.com) for translating my conversation with Marie, and also Isabelle Lecat, here in London, for additional help. He often wrote roles for his actors. MR: Lena was a friend of Eric. HVK: So maybe in Le Rayon Vert Rohmer directed the audience’s reaction more than he directed the actors. MR: We kept seeing each other and we became really good friends. Was he an actor, or someone you met on the street and persuaded take part? How much were you involved in deciding what the apartment would look like? But why? Maybe he was showing his feminine side. MR: Eric spent a lot of time in his youth in these kind of rooms. How did your professional relationship with Rohmer evolve during this time? HVK: How did you meet Lena, the Swedish character? In La Femme De L’Aviateur, there was Eric’s script which was quite difficult to say. In ‘Love in the Afternoon,’ we find the same kitchen area. So she was the opposite of me. ©AlloCiné, Retrouvez tous les horaires et infos de votre cinéma sur le numéro AlloCiné : 0 892 892 892 (0,34€/minute), Issue d'un milieu ouvrier, Marie Rivière grandit dans une cité de Montreuil avant de travailler comme institutrice puis vendeuse. Which I understand … (Laughs), “The way he (Eric) felt his perception of the world, he certainly thought that it was better transported, conveyed, through the expression of a woman.”. Lena shouldn’t have felt at ease, because she was new. Préférences cookies | I think it reminded Eric of his youth. I watch them every August and in my mind they are like old friends, associated with clear night skies, Atlantic-ocean waves, and a mind free to enjoy the meandering thoughts of Anne and Delphine, played by Marie Rivière. MR: Rohmer’s women are a great thing, because in film we never have feminine characters who show their souls. I was very impressed by him. Everyone who played in the movie was great. It is small, private and simple, a liberation for women at the time. Female motivation frequently forms the narrative backbone in many of Rohmer’s films and Le Rayon Vert is its most magical example. La rivière sans repos est un drame réalisé par Marie-Hélène Cousineau, avec la collaboration de Madeline Ivalu. And also, it was Eric Rohmer. Marie-Ève Larivière is an actress and writer, known for Histoire de famille (2006), Just for Laughs Gags (2001) and Avec Moi (2019). HVK: How did Rohmer direct you in La Femme De L’Aviateur? But Eric absolutely wanted me to get up and leave. It was hard for me at first although my male partners, like Philippe Marlaud, who plays François, portrayed it very well. Femme cherche Homme - Site de rencontre Gratuit. HVK: How were you offered the role of Anne? The kitchen area is a common Eric set. But as Eric always placed himself in the context of his youth, a woman not wanting to get married was very original for him. Vous pouvez utiliser toutes les images de cette galerie pour tout ce que vous voulez, utilisez les librement pour tout usage personnel et commercial. Choisissez parmi des contenus premium Jean Marie Riviere de la plus haute qualité. I was so shy that I left very quickly, saying: “Sorry, I have to go.”. Images explicitement placées dans le domaine public. Either he came to my home, or I went to his office in Alma Marceau. For further reading about Eric Rohmer 52frenchfilms recommends: Holiday Blues and the improvised magic of The Green Ray, Follow French Film Stories on WordPress.com, Brothers acting as brothers: a conversation with Gregory and Mikael Fitoussi, Trois Couleurs: Bleu (Three Colours: Blue), Marie Rivière et l'adoration profonde d'Eric Rohmer pour les femmes, Pauline à la Plage (Pauline at the Beach), Le Souffle au Coeur (Murmur of the Heart), Festival du Film Francophone d’Angoulême 2017, A conversation with Marie Rivière … Eric Rohmer’s intelligent adoration of women, Brothers acting as brothers: a conversation with Gregory and Mikael Fitoussi, Marie Rivière et l’adoration profonde d’Eric Rohmer pour les femmes. MR: I already knew Eric. It was Eric’s recipe, to make the audience feel at the same time rejection but also condolence. Marie Rivière est une actrice française née le 22 décembre 1956 à Montreuil (Seine-Saint-Denis). I didn’t know her before. A series of relaxed, ordinary moments, relevant, yet outside of time. Marie wrote Rohmer a letter. Politique de cookies | And then Marie asked me:  “Speak to me as though you don’t know me.” And so I did just that too, and oddly didn’t feel remotely embarrassed. Photos du modèle dans l'image ID 43843800 par Dojo666. But for Lena, as she was an actress, it could have been a handicap. Softly spoken, gracious and with a gentle sense of humour, Marie talked with a winning honesty similar to the characters she plays in Rohmer’s films. “It was Delphine’s faith. Your two characters couldn’t appear more different! HVK: How much planning was involved in the film schedule, and how much was left to chance? One of the instructions was that I should not be static, but move my body to accompany the text I was saying. She was my friend in real life.” Marie Rivière on the female solidarity between Delphine and Françoise, played by Rosette. In the scene with Lena, the instruction was simply that I did not have to agree to stay at the table with the boys and Lena. And I did just that, and it came naturally, as I checked the messages on my phone, sipped some tea and   opened a paper map. It was very important for Eric. We shot the film in the years of the Women’s Liberation, the period when women claimed the right to live by themselves and not be married. Jeanne Marie CAMELAS (born RIVIERE) was born on month day 1851, at birth place, to Louis RIVIERE and Marie RIVIERE (born BOUVIER). With many thanks to Fanny Mazoyer (Paris-based Director of Photography and graduate of the Louis Lumière. Biographie. The audience understands that she feels rejected and from this is born the feeling of condolence. At that time I lived in a maid’s room, which looked like the one in the film. So they were flattered to take part. I first met Marie in London, two days after the Charlie Hebdo killings. Inscription Gratuite et enregistrer 60% désactivé It was not easy to do improvisation, especially with somebody like me. Select from premium Jean Marie Riviere of the highest quality. HVK: I imagine Rohmer was very good at making you feel relaxed so Delphine could develop with authenticity. Maybe Eric felt more at ease with women. Pour sa part, le garçon est tombéirrémédiablement amoureux de l’inconnue. Maybe it was because he had more tenderness for women, than for men. Données Personnelles | He was not very rich. For further reading about Eric Rohmer 52frenchfilms recommends: Geoff Andrew on Rohmer by Simon Hitchman Holiday Blues and the improvised magic of The Green Ray by Geoff Andrew Eric Rohmer for Beginners by David Parkinson. Delphine (Marie Rivière) in Le Rayon Vert. Photo libre: jeune marié, la mariée, gondole, bateau de rivière, bateau, eau, Lac, rame, canal, pagayer. Sorry, your blog cannot share posts by email. Marie Rivière est une Actrice, Réalisatrice, Directeur de la photographie française. Anne and Delphine are as relevant to who we are now, as men and women, as they were to female modernity at the time. MR: I felt at ease and there was a real authenticity and complicity with Eric because I had known him for several years. He had made big film before. rivière images gratuites. I had to run away. Eric Rohmer’s Le Rayon Vert (‘The Green Ray’) and La Femme De L’Aviateur (‘The Aviator’s Wife’) are part of my summer blood. Éric Rohmer – Marie Rivière, Amira Chemakhi, Sylvie Richez DVD Z2 : sorti Les errances amoureuses d'une jeune femme qui découvre le fameux "rayon vert" dont parle Jules Verne, et la vie en rose. Louis was born on October 6 1812, in Villette-sur-Ain, 01320, Ain, Rhône-Alpes, FRANCE. And then, when the feeling of rejection is reached by the audience, Eric takes Delphine into the countryside where she begins to cry. It was necessary to be faithful to this faith. He’s gay, maybe Eric didn’t notice! Eric gave me some very precise instructions and I followed them, but using my own words. The first meeting did not last long. Marie’s portrayal of Anne and Delphine show Rohmer’s intelligent adoration of women: it is difficult to find another male director who is as interested in their intellect,and their struggle with solitude and relationships. After we finished recording Marie asked if she could film me ‘just doing nothing.’ She said that she likes to film people being ‘ordinary.’ “Imagine I’m not here” she said, gently. Marie Riviere | Genf, Kanton Genf, Schweiz | Passionate about people | 237 Kontakte | Vollständiges Profil von Marie auf LinkedIn anzeigen und vernetzen I had a lot of training, and I felt at ease in my improvisation. So it was easy. Delphine was built out of the friendship we had. Ex. When he stopped making Perceval and started the series Comedies and Proverbs, he thought of me because he imagined me in the role. It was Delphine’s faith. Tomek n’en a jamais entenduparler, et la jeune fille repart, déçue. Elle pense encore le retrouver. This was the only moment when he asked me to do something, mainly because he wanted it to be clear.He always wanted everything to be very understandable and clear for the audience. It was a logical result of our friendship and connection. How did you and Rohmer work together to create the character? During our conversation, it was easy to see why the auteur found her such an inspiring artistic collaborator and a good friend. With many thanks to Fanny Mazoyer (Paris-based Director of Photography and graduate of the Louis Lumière. La Femme De L’Aviateur came first from Eric’s personal history, but was also inspired by me and the situation I was in at the time. Lorsqu’une femme recherche un homme, elle cherche avant tout à faire des rencontres avec un homme sérieux.Pour amitié ou pour commencer une histoire d’amour, vous savez que trouver un homme n’est que la première étape de cette nouvelle relation. The wallpaper came from the room of someone who worked on the film. If I had stayed with the boys, the audience would not have understood, and it would have been another film. Adapté du roman éponyme de Gabrielle Roy, le film suit le parcours d’une jeune femme inuite indépendante se trouvant au carrefour de la modernité et de la tradition. AVIS DE DÉCÈS ... Elle voyait avec beaucoup de pertinence le travail à faire avec cette jeune clientèle.Offrir un service de qualité était une priorité pour elle. “Eric instructed the girl to say to me: ‘Oh I have a studio in Biarritz, I can give you the keys.’ I had to look very surprised and answer, ‘Oh fantastic, it’s very kind.'”. je soutenais l'éclat de la mort toute pure telle jadis le soleil soutenu mon corps désespéré tendait le torse nu ou l'âme ivre de soi de silence et de gloire écoute avec espoir frapper au mur pileux ce coeur qui serait une accosté rieuse jusqu'à ne plus tenir que de sa complaisance en premier son enfant ma … She challenges Delphine in the café scene by the sea in Biarritz. La jeune femme ne peut s'empêcher de parler du lapsus de l'adresse qu'elle a donnée cinq ans avant à Charles. HVK: What happened during your first meeting with Eric Rohmer? MR: For me she is not annoying because it’s me! But in the end, we hear the nice music very well. It was necessary to be faithful to this faith. Vers 22h20, un jeune homme dans la vingtaine assis sur le balcon de son logement de la rue Armand-Bombardier a été pris pour cible. But it is a way for Eric to accumulate Delphine’s rejection by her family and Delphine’s rejection by the audience. He also used to live in old maids’ rooms, which are similar to the one in La Femme De L’Aviateur. Cette section est vide, insuffisamment détaillée ou incomplète. MR: I know. While in La Femme De L’Aviateur there was specific direction, because my studio room was very small, and so there were very precise instructions on how to move. I imagine it was a very different experience to Le Rayon Vert, which is almost all improvised. “Eric always placed himself in the context of his youth.”. It is thanks to her that the scene at the bar exists. Intrigué par la question de celle-ci, Tomek vaconsulter son ami le … LA RIVIERE A L’ENVERS - TOMEK - : Chapitre 4 CORRECTION 1) Recopie les paragraphes qui racontent le mieux chaque rêve de Tomek. MR: Yes it was very different. HVK: What was it about Rohmer that elicited such memorable and beautifully observed female characters throughout his career? She arrived at the end of the film. But then he called me several months later and gave me a small role, some lines in in Perceval le Gallois. HVK: Delphine is a rather exasperating woman. MR: Oh no, generally people like to play in films, they like the camera to be on them.